Do you think either of them cross the line when they’re arguing during the first war? Ask them both separately and they’d both say that absolutely yes (Hermann especially) but it’s clear they both keep getting drawn back to each other. But do either of them actually, properly hurt the other with their fighting?

Oh, absolutely, Anon!

I’d actually go so far as to say the famous moment when Hermann says Newt’s intelligence about the Precursors is “Impossible!” in PR1 was crossing a line, so we see it on screen. It’s in part because Newt doesn’t see the gesture for what it is: Hermann trying to protect Newt not only from himself and another Drift, but from Pentecost’s inevitable orders to do it again. He’s trying to discredit Newt to save him. 

My suspicion is that as long it’s an attack on things they can debate, all is fair game. They constantly debate things like the other’s intelligence and effectiveness as a scientist. Those are matters that are up for debate. I think Newt spilling guts on Hermann’s side is an ongoing debate over the placement of the line itself, to make a point. The reason Hermann claiming the findings were “impossible” was so offensive to Newt–I mean he literally looks thunderstruck and betrayed in a way he did not when Hermann criticized the experiment in the first place–is because it’s not a matter that’s up for debate scientifically. The experiment clearly worked, it functioned as intended (though side-effects may vary, Newton…). 

Things that are not up for debate are things they can’t effect themselves. Hermann can choose to have a less awful haircut, but he can’t choose not to have the limp. I think it’s also an ironclad personal principle of Newt’s to never bring up the limp as well. It’s a little harder to pinpoint a line Hermann won’t cross with regards to Newton, but there is respect there, and I at least headcanon that only they are allowed to insult one another’s careers. Hermann is a scientist, he is informed on when Newt is wasting his time on an experiment or is “desperate to be right” while chasing a dead end. However, I do think they’d defend one another against outsider attacks. If someone else called out Newt as annoying or a waste of resources, I think Hermann would be outraged (same goes for Newt on Hermann’s behalf). Edit: just to add because I agreed with reblog tags, if Newt is on medication for ADHD or anything similar, Hermann would consider that totally off limits, especially from outsiders. I also think if any outside criticism of them smacked of old-school jocks vs. nerds bullying (like that K-Scienes are useless in general, or that either of them is a dweeb or something) they’d flip out on the other’s behalf. 

But yeah, I’d never want to put it out there that they had this idyllic cut-and-thrust style of argument going on that never tripped over the line. I think they trip over one another’s lines all the time (literally, in Newt’s case with the lab line). I think they say things that hurt more than intended. Otherwise I don’t think their fights would be as caustic as they are. But I also believe the fights themselves are a way of showing attention and care for one another, the last remaining source for intellectual and academic debate in their lives, and a welcome distraction from how well and truly fucked the world is. I don’t think they always read each other correctly, but I think when they do on occasion actually apologize to one another when they recognize a crossed line (”Ten years of experience, man, I’m very sorry.”) even if it comes across as flippant. They make it work. It’s apathy that would hurt them more than any level of line-crossing, and that’s the reason for Hermann’s betrayed expression in Uprising, I think, that Newt refuses to help in return (when Hermann has done so much for him) and doesn’t even consider Hermann’s theory about the Kaiju blood. (Though one must admit, there is a level of “turnabout is fair play” in that flippancy, given that Hermann was similarly dismissive of the Kaiju drift in PR1, soooo…)

My latest writing class gave me a great tip recently that I’ve been trying to put into practice. I had a bad habit of describing a character’s facial reactions vaguely with terms like “they made a face” or “they showed X emotion” but without many specifics. This leads to a blurry image in the reader’s mind and misses an opportunity to make the body language of a character distinct and memorable. 

In an exercise, the instructor pointed out how everyone in the classroom had a different facial expression they associated with an emotion. “Disgust” might be a stuck out tongue, or a pinched mouth, or a frown, or recoiling from the source of disgust. “Amusement” might be a big grin, or an open laugh, or it might be a shy person covering their mouth to hide their reaction. 

The point is, think about how your character expresses a particular emotion. Pick a real person like a tv show character or a real-life person like a friend as a model for them in your mind if you don’t have a specific image yet. Describe how they react to emotions facially and use unique specifics for every character. In general in writing it’s best to be specific whenever possible to sharpen the image in the reader’s mind, and this will help to create a distinct and memorable character instead of a visual blur.

Just a tip for some people doing NaNo, but one tactic I use while trying to reach the word count is to put a “-” in the document when I’m about to do a burst of words. I write through it, maybe even write a few takes on how I want that section to go if I’m uncertain, then record the word count for that section. 

After that, I move the “-” to the bottom of the document. Everything before that is now fair game for editing or moving to the note discard document. I still get the credit I’m due for the words I’ve written, but don’t need to worry about deleting or altering it to “lose” the progress I’ve made in the overall NaNo race. This way I can actually write as I usually do, which includes tweaks and touch ups as I go for a cleaner first draft, without those edits detracting from my word count.

dongboss:

lipdikro:

twotontwentyone:

dongboss:

dongboss:

that one post that’s like “lacroix tastes like if you drank carbonated water and someone shouted a fruit name a room over ” is so funny where is it

THIS ONE

I’m convinced y’all have never actually drank sparkling water before cause LaCroix is practically as overwhelmingly sweet and flavorful as mountain dew to me

i think u might have the taste buds of a 90 year old decrepit geriatric

monicawoe:

Thank you for voting!

Thanks to everybody who voted and encouraged others to vote!

We flipped the House and elected a record number of LGBTQ+ and women candidates including two Muslim women, and two Native American women! Keep it up and vote at every election – especially the primaries and local elections!!

FROM THE HEART, MAGGIE, FROM THE HEART. Ch. 3 isn’t working because you’re trying to be too fucking clever with the banter and the antagonist and the goddamn plot. Actually show us what it would be like to be in that situation and see that happening to someone you love, goddamnit, inhabit the moment instead of trying to twist it into the plot.

My totally off base, likely-to-be-immediately-discredited-by-the-very-next press-release predictions for the slated Pacific Rim anime:

The press release reads, “The original anime series follows two siblings — an idealistic teenage boy and his naïve younger sister — who are forced to pilot an abandoned Jaeger across a hostile landscape in a desperate attempt to find their missing parents.”

(Ugh, kids…)

– It’s going to be a prequel, taking place during the original Kaiju War, which could very well be in 2019 if they decide to line the year up the way PR1 did with the year of the release. Kaiju attacks were canonically frequent then, though it raises the troubling question of how close to “canon” this story is going to stick. 

– The show will open with a Kaiju attack on our protagonists’ hometown and lead to them being separated from their parents (the parents have a good chance of being somehow connected to the PPDC, though it could just be that they’re rescued by them, either way it would give the PPDC as a direction to flee towards)

– They will find a Jaeger in the rubble, most likely because its pilots are dead (or abandoned it, whatever). 

– The kids discover they’re Drift compatible, naturally. This also plays into the idea that how Jaegers work is pretty well known that they would even attempt this, which hints at later in the war. Not only that, these kids will, through the course of their travels, either be initially or develop to be naturally talented at piloting a Jaeger. 

– The plotline with the missing parents will only encompass the first few episodes, or the first season at most. At some point, the kids will link up with the PPDC and idealistic Boy (because of course the older sibling must always be male and the driving force, and the sister has to be an idiot *sigh*) is idealistic because he wants to be a Jaeger pilot (because what else could anyone want to be in the PR universe?). 

– After that it’ll be about how these kids become hotshot Jaeger pilots and IF we are VERY LUCKY we will get to see some of the original PR characters (god please oh please oh please gimme 20-something-year-old Newt and Hermann oh please oh please). Most likely this will mean The Academy and/or more child soldier Jaeger pilots like in Uprising but if it’s a show aimed at a younger audience, I’m less bothered by child soldiers as a plotline than when it goes unexamined in an adult action film. If we do see kids in the Jaeger Academy, I’d make a good bet that Chuck Hansen will make an appearance.